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Page 46 of 46
  • Nation : German
  • Local Price : Price on request
SUPERBLY CONSTRUCTED ELEGANT GILDED GERMAN RAPIER CIRCA 1540. Description: As previously stated under the Norman typology, the sword under discussion has a Hilt 50 with an inner guard 9, a spherical octagonal pommel type 15,  straight swelling quadrilateral quillions tips, a short rectangular ricasso where the fuller originates and extends almost to the tip on both sides, the blade of a stiff diamond-section tapering to a point. Hilt-gilded, original wood grip core. Condition #2.  Length: approximately 43.4 inches. Comparables: –Wallace Collection Cat. No. A576. –The Odescalchi Collection, Rome Inv. # 426. –Musee de l Armee paris Inv # p.O. 1904 Provenance: From a private European collection. Conclusion: An elegant rapier which sadly has some pitting. The good news is that the slight pitting makes it very affordable. If this sword were in mint condition, it would sell for five times its asking price! Even worse would be captive in a museum long ago and now not available in the collectors market at an affordable price.  In summary: A very reasonably priced sword that has a lot of value for the money. If you ever wanted an early world-class rapier but don&#acute;t have a massive bank account, I urge you to ACT NOW and strike while the iron is hot.  Even if you do not collect rapiers, it&#acute;s always good to have one in a collection because they were such an important part of Renaissance Europe. Priced to sell very quickly at under $4,000!!!*
  • Nation : Spanish
  • Local Price : Price on request
GERMAN PIERCED CUP HILT RAPIER WITH BLADE INSCRIPTION CIRCA 1650: . Description: The cup is decorated with deeply pierced floral/vine decoration, an original grip, and a tapering blade with the inscription¦.. X IN X SOLINGEN X    x¦. in a deep, short fuller. The knuckle guard and quillons are decorated en suite with roping, and the quillons swell as they reach their tips. Length: 47.5 inches. Condition: #1. Discussion In a day and age lacking appropriate policing, the private citizen was forced to protect himself from society&#acute; criminal dregs. The weapon of choice was the rapier from the middle of the 16th to the end of the 17th century. The rapier is a simple but highly effective sword against the non-armored. The rapier was primarily a thrusting weapon that could inflict serious injury to an adversary&#acute; vital organs with minimal effort. It was also an exceptional slashing and cutting weapon; however, the slash was not as lethal as the thrust. The slash was used more as a feint to set up a finishing thrust. The slash was also a dire warning to a would-be assailant of the horrors to quickly follow if he chose not to acquiesce. The rapier is almost undeniably of Spanish origin and is probably Spain&#acute; most significant contribution to the Renaissance arms race. A highly expensive, ornate rapier was the equivalent of a person in our day and age making a fashion or opulence statement by wearing very expensive jewelry, such as a Rolex or Audemars Piguet watch. Because fencing is more of a thrusting art, it became commonplace throughout Europe to have as long a blade as possible to obtain an advantage. This extravagance in length reached the point that municipalities passed statutes regarding the allowable lengths of blades. Those in violation had the misfortune of having their rapier&#acute; blades cropped at the tip at the city gate to comply. One example of these statues is from an English Royal Proclamation on March 17, 1557. The French adopted the phrase &156;espee rapiere&157; by 1475, which later was shortened to simply &156;rapiere&157; the English in 1505 spelled it &156;rappyer.&157; The Giles Duwes English/ French dictionary of 1532/3 adopted the rapiers definition as &156;Spannyshe sworde.&157; By 1550, the term rapier had been adopted to describe a slender, sharply pointed sword designed for thrusting, cutting, and slashing attacks. The rapier now consisted of a hilt protected by a handguard. Provenance: From the private collection of a rapier aficionado who only collects the absolute best. Comparables: Any arms and armor museum or private world-class collection. Conclusion: An exquisite addition to any collection. This cup hilt rapier is in museum condition and swords in this condition seldom are available in the collectors market. Priced to sell today for under $5K for a quick sale. Don&#acute;t hesitate-Act Now !!!!* All my items come with the following: “Free shipping. “10-day review period. “Certificate of Authenticity. “ Free autographed copy of my book if you do not have one. I believe you will be very¦.very¦. pleased.
  • Nation : Spanish
  • Local Price : Price on request
BLACK, GILDED AND DECORATED ITALIAN RAPIER CIRCA 1580 WITH MAKERS MARK:. Description: Under the Norman classification, this is a hilt 57. Constructed with a fuller about a third the length of a strong diamond-section blade that tapers to a very sharp point, a rectangular outlined ricasso stamped with a makers mark in the lower bottom center, a chevron shape at the quillon block, a type 32 pommel with a button at the finial. The hilt with a black finish was probably refreshed and decorated with gilded half-spheres; the fuller decorated en suite with gilded half sphere, replaced grip with Turk&#acute;s heads. Two repairs to the counter guard, rapiers like this were used for fighting, not ballet.   Length: 44.5 inches. Discussion: Military rapiers were longer and usually of stronger blade manufacture than your average civilian rapier. Military rapiers were also exempt from length restrictions. Because fencing is more of a thrusting art, it became commonplace throughout Europe to have as long a blade as possible to obtain an advantage. This extravagance in length reached the point that municipalities passed statutes regarding the allowable lengths of blades. Those in violation had the misfortune of having their rapier blade cropped at the tip at the city gate to comply. One example of these statues is from an English Royal Proclamation on March 17, 1557. The earliest illustration of this sword type is in a 1588 portrait of John Shirley, currently housed in the Metropolitan Museum of Art (#51.194.2). It is also illustrated in a portrait of Luccio Foppa circa 1585 by Giovani Antonio Figino.  In a day and age lacking appropriate policing, the private citizen was forced to protect himself from society&#acute; criminal dregs. The weapon of choice was the rapier from the middle of the 16th to the end of the 17th century. The rapier is a simple but highly effective sword against the non-armored. The rapier was primarily a thrusting weapon that could inflict serious injury to an adversary&#acute; vital organs with minimal effort. It was also an exceptional slashing and cutting weapon; however, the slash was not as lethal as the thrust. The slash was used more as a feint to set up a finishing thrust. The slash was also a dire warning to a would-be assailant of the horrors to quickly follow if he chose not to acquiesce. The rapier is almost undeniably of Spanish origin and is probably Spain&#acute;s most significant contribution to the Renaissance arms race. A highly expensive, ornate rapier was the equivalent of a person in our day and age making a fashion or opulence statement by wearing very expensive jewelry, such as a Rolex or Audemars Piguet watch.  The French adopted the phrase &#acute;espee rapiere&#acute; by 1475, which later was shortened to simply &#acute;rapiere. The English in 1505 spelled it &#acute;rappyer. The Giles Duwes English/ French dictionary of 1532/3 adopted the rapiers definition as &#acute;”Spannyshe sworde”. By 1550, the term rapier had been adopted to describe a slender, sharply pointed sword designed for thrusting, cutting, and slashing attacks. The rapier now consisted of a hilt protected by a handguard. Comparables: Similar examples of type 57’s can be found in: “ The Musee de l Armee in Paris (Cat no. 1379). “ The Wallace Collection (Cat no. 621). Provenance: From a private collector in Austria who seldom, if ever, sells his best !!!* Conclusion: This is an elegant sword with a fighting past. I like the decoration and the condition. This rapier is very reasonably priced at under $4K. This is a rare opportunity. Act now so that you won&#acute;t be disappointed!!!* All my items come with the following: “Free shipping. “10-day review period. “Certificate of Authenticity. “ Free autographed copy of my book if you do not have one. “ In the event of an international shipment, we will help assign the lowest correct Customs tariff so you pay the least as low as 5% or even nothing. I believe you will be very pleased.
  • Nation : British
  • Local Price : $200.00 $170.00
Aviator Pilot Holding A Propeller Metal Sculpture - Mayer Antiques & Collectibles. An aviator or pilot from the 1930&#acute;s-1940&#acute;s sculpture made of metal or spelter in excellent condition.  The statue shows the airman of the British RAF holding his flying gloves in one hand and a two bladed propeller in the other, wearing his flight suit, cap, goggles and looking up to the sky as if viewing his fellow pilots flying their planes on the way to their next mission or training exercise.  This is NOT the same aviator sculpture that has his head hinge back to reveal a removable petrol lighter. A beautiful gift to aviation memorabilia lovers, airforce veterans, pilots and airmen in general. Dimensions: Height: 27 cm (10.62 inches) Width: 20 cm (7.87 inches)
  • Nation : Italian
  • Local Price : $3,800.00
The Dying Gaul Or Dying Gladiator - Mayer Antiques & Collectibles. The Dying Gaul sculpture is an ancient Roman marble statue now in the Capitoline Museum in Rome and it is a copy of a now lost sculpture from the Hellenistic period (323-31 BC) thought to have been made in bronze and may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia (modern Turkey).  The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon.  The sculpture of the Dying Gaul is also called The Dying Gladiator, The Dying Galatian, Galata Morente in Italian. The sculpture is beautiful in details showing the bleeding wound of the gladiator in his right side ribs from a sword, the veins in his arms, his hair and his overall musculature. The base features an inscription: “Galata Morente/After Pietro Angeletti/1758-1786” Dimensions: Height: 31 cm / 12.20 inches Width: 60 cm / 23.62 inches Weight: 11.9 Kg / 26.23 lbs.
  • Nation : Russian
  • Local Price : $1,500.00
The Motherland Calls by Sculptor Yevgeny Vuchetich - Mayer Antiques & Collectibles. The Motherland Calls or in literal translation from Russian: Homeland-Mother Is Calling! is a statue of a woman stepping forward with a raised sword representing the Soviet or Russian Motherland calling on its sons and daughters to repulse the enemy and return to the attack.  This Soviet era sculpture which started construction in May 1959 and completed on 15 October 1967 is the compositional center of the monument-ensemble “Heroes of the Battle of Stalingrad” on Mamayev Kurgan in Volgograd, Russia.  It was designed by sculptor Yevgeny Vuchetich and structural engineer Nikolai Nikitin, and declared the tallest statue in the world in 1967 when complete.  At 85 m (279 ft), it is the tallest statue in Europe, the tallest outside of Asia and the tallest statue (excluding pedestals) of a woman in the world. This Motherland Calls sculpture by Yevgeny Vuchetich is a beautiful representation of Soviet art with an art nuevo twist. Dimensions: Height: 62.5 cm (24.6 inches) Width: 13.5 cm x 13.5 (5.3 inches) Weight: 6.3 Kg (13.8 lbs)
  • Nation : British
  • Local Price : Price on request
EXCEPTIONALY RARE NORMAN TYPE 41 SWORD WITH ORIGINAL GRIP CIRCA 1560: . Description: Constructed with a tapering blade with a medial ridge, wheel-shaped pommel with square finial, what appears to be an original or working life leather grip, expanding at the ends rectangular guard with curvatures at the tip and facing in opposite directions, quillon block in a chevron shape with two gutters on each side,  knuckle guard extending to the pommel, two finger guards and a ring guard. Condition very good, perhaps slightly over cleaned. Dimensions: total length 41 inches, blade 35 inches. Comparables: -Metropolitan Museum of Art, accession # 14.25.1169 (pl 7). -The State Hermitage Museum St. Petersburg, Z.O. # 1950. – An exceptionally ornate example signed by Damianus de nerve is preserved in The Waffensammlung in Vienna Inv. #A586. Conclusion: For the collector who wants the rare of the rare, here it is. This sword has a very elegant design. It’s the only one of this typology I have had in 35 years. ACT NOW, or you could be very disappointed. I have no idea if I will ever have another. I believe you will be very¦.very¦. pleased. All my items come with the following: “Free shipping. “10-day review period. “Certificate of Authenticity. “ Free autographed copy of my book if you do not have one.
  • Nation : British
  • Local Price : £
1845 Pattern Royal Navy Cutlass. In order to provide you with the best online experience this website uses cookies. By using our website, you agree to our use of cookies. More Info. ’, translatedPageUrl: ’’, isFastMigrationSite: false, sidebarPosition: ’NA’, currentLanguage: ’en’, currentLocale: ’en-gb’, NavItems: ’{}’, errors: { general: ’There was an error connecting to the page. 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  • Nation : Borneo
  • Local Price : €Price on request
Nieuwenhuis Expedition mandau - Published in Querch Durch Borneo Volume I..
  • Nation : Indonesia
  • Local Price : €Price on request
Balinese Ratmaja keris holder - Impressive piece, skilfully carved..
  • Nation : Asian
  • Local Price : €Price on request
Lóngquán Daoist shuÄ.
  • Nation : Indian
  • Local Price : €Price on request
Qing imperial dagger - With Indian-style jade hilt with corals and turquoise, and bi-fullered blade..
  • Nation : Tibetan
  • Local Price : €Price on request
Fine Tibetan shortsword - Very good example with repousse silver scabbard plate..
  • Nation : British
  • Local Price : €
Cloisonnée tachi sword - The blade by Akama Tsunanobu of Edo.
  • Nation : Sri Lanka
  • Local Price : €Price on request
Flintlock pistols with Sinhalese barrels - By Lambert Dit Biron of Liège..
  • Nation : Italian
  • Local Price : Price on request
RARE VENETIAN SHELL AND KNUCKLE GUARD BROAD SWORD CIRCA 1620: . 1548) RARE VENETIAN SHELL AND KNUCKLE GUARD BROAD SWORD CIRCA 1620:  Discussion: A rare and elegant example of a unique typology of Venetian broadsword that is highly collectible. Priced to sell quickly at under $3K!!!* Constructed: with a long, slightly curving single-edged blade with a long, double-edged point, the fuller at the top running concurrently with the false edge about two-thirds the length of the blade, steel hilt with downward turned octagonal quillons, a knuckle guard en-suite to the quillons, a shell guard with incised decoration,  beautiful, circular pommel. Original wood grip with Turks Heads, style Z steel pommel (found on some Schiavonas). Length: 37 inches. Conclusion: A rare and elegant example of a unique typology of Venetian broadsword that is highly collectible. Very well-balanced and in very good condition. It’s a great addition to any collection, especially since it is priced to sell quickly at under $3K!!!*
  • Nation : British
  • Local Price : Price on request
HIGHLY DECORATED PIERCED CUP HILT RAPIER CIRCA 1650:. No description available.
  • Nation : Spanish
  • Local Price : Price on request
EXCEPTIONAL, ELEGANT, AND IMPORTANT SILVER-ENCRUSTED GERMAN  SWEPT HILT RAPIER, CIRCA 1590. Description: Under the Norman typology, this would be a Hilt 75 with a type 34 pommel, flat and slightly widening to the tip rectangular quillons, a short rectangular ricasso with a short fuller approximately a fourth the length of the blade, the remaining blade with a double-edged blade of flattened hexagonal sections tapering to a point, the hilt decorated en suite with encrusted silver on a russet background, flowing designs of fruit, foliage, and masks, showing no repairs. , Replaced grip but original wood core, Turk&#acute;s heads. Approximate dimensions: Length 48 inches, blade length 41 inches,  guard length 8.75 inches. Comparable: This typology is illustrated in the 1589 engraving by Hendrick Goltzius of Jacques de la Faille. The second is a painting by Pietro Damini titled &156;Silvestro Valier Receiving the Keys To Padua,&157; presumably painted in 1619, the year of the event. Comparables: A similar example can be found in: “The Musee de l Armee in Paris (Cat no. J192). “The Wallace Collection (Cat no. A606 and A565). -The Earliest Illustration of This Sword Type Is in an equestrian portrait by Rubens circa 1610, almost certainly of Archduke Albrecht, currently housed at Windsor Castle #282. Publication: The Collectors Course On Medieval Arms and Armor,2021, Garcia, page 259. Provenance: -Andrew Garcia -From a very well-known private world-class collector and dealer who was thinning his collection at age 82. -Joe Kindig Jr. (1898-1971) Discussion:  In a day and age lacking appropriate policing, the private citizen was forced to protect himself from society&#acute; criminal dregs. The weapon of choice was the rapier from the middle of the 16th to the end of the 17th century. The rapier is a simple but highly effective sword against the non-armored. The rapier was primarily a thrusting weapon that could inflict serious injury to an adversary&#acute; vital organs with minimal effort. It was also an exceptional slashing and cutting weapon; however, the slash was not as lethal as the thrust. The slash was used more as a feint to set up a finishing thrust. The slash was also a dire warning to a would-be assailant of the horrors to quickly follow if he chose not to acquiesce. The rapier is almost undeniably of Spanish origin and is probably Spain&#acute; most significant contribution to the Renaissance arms race. A highly expensive, ornate rapier was the equivalent of a person in our day and age making a fashion or opulence statement by wearing very expensive jewelry, such as a Rolex or Audemars Piguet watch. Because fencing is more of a thrusting art, it became commonplace throughout Europe to have as long a blade as possible to obtain an advantage. This extravagance in length reached the point that municipalities passed statutes regarding the allowable lengths of blades. Those in violation had the misfortune of having their rapier&#acute; blades cropped at the tip at the city gate to comply. One example of these statues is from an English Royal Proclamation on March 17, 1557. The French adopted the phrase &#acute;Ã
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